![\"Industry](\"https:\/\/allisontait.com\/wp-content\/uploads\/2016\/09\/Industry-Insider-How-to-tell-if-your-writing-is-good-300x300.jpg\")
How do you know when your writing is good enough?<\/p>\n[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||” theme_builder_area=”post_content”][et_pb_text admin_label=”Text” _builder_version=”4.23.1″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n
How do you know when your writing is good enough?<\/p>\n
This is a question that’s come up a few times of late, via social media, via email, via my Skype coaching sessions. And it’s a big question, particularly when you’re a new writer, wrestling with self-doubt and a headful of words.<\/p>\n
It’s not an easy question to answer. As someone who’s been a writer, in one form or another, for my whole working life, it was a question that was often answered for me by other people. By an editor throwing a story back at me, covered in red pen. By a first reader in a writing group, making ‘suggestions’. But, at some point, you begin to find your own way, using past experience to feel your way through your current project, and you just know<\/em>.<\/p>\n Or something.<\/p>\n Realising that this may not be helpful, I’ve brought in reinforcements, asking nine\u00a0Australian authors to share their own answers to this very perplexing question.<\/p>\n How do you know when what you’re writing is good – or at least ‘good enough’ to send to your agent\/publisher?<\/b><\/span><\/p>\n Rachael Johns, award-winning international bestselling author<\/a><\/strong><\/p>\n New novel The Art Of Keeping Secrets<\/em>, out now\u00a0<\/strong><\/a><\/p>\n “This is actually something I struggle with a lot – mostly because I honestly NEVER think my writing is any good. I\u2019m one of those writers who doesn\u2019t love writing but ADORES having written. I always feel like a fluke and that my writing isn\u2019t good enough, so I usually end up sending it before I think it\u2019s ready. <\/span>However, I believe the important things are the characters and the core story – if I think these two things are working, then all the little things can be fixed at the next edit stage with my publisher. <\/span><\/p>\n “So what I look at before I submit a book is whether a) the characters have a strong journey\/arc – that they have changed and learnt something over the course of the book and b) that the plot makes sense and is believable. <\/span><\/p>\n “Sure, readers sometimes need to be able to suspend disbelief a little bit when reading but as I write contemporary fiction about ordinary people facing dilemmas, I want their lives to be intriguing and interesting but also possible<\/em>. <\/span><\/p>\n “Having said that, I\u2019m not suggesting you don\u2019t do a bit of a copy edit before sending. I always print my book out and edit it on paper, specifically looking for repetition of gestures\/emotional response, ways to tighten the writing and ensuring the\u00a0dialogue sounds realistic. <\/span><\/p>\n “Then I hit send and try and forget about that manuscript until I hear from my publisher with their response.”<\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n Damon Young, author of non-fiction, children’s fiction and poetry<\/a><\/strong><\/p>\n Current releases The Art Of Reading<\/em> and My Sister Is A Superhero<\/em><\/strong><\/a><\/p>\n “My moment of readiness is a bizarre double vision. On the one hand, my squinting doubt goes away: I can read without furrows or “hmmm” or “ugh”. It feels like me, right? <\/span><\/p>\n “On the other hand, it’s no longer me at all. The words suddenly feel alien: like someone else wrote them. So the voice is mine; the ideas, rhythms, sensibilities. But the writing now has its own distinctive character: it is a work. <\/i><\/span><\/p>\n “To put it simply: I know the work is done when it stops prompting unease, and gains its own independence from me.”<\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n Natasha Lester, <\/a>b<\/a><\/strong>estselling author<\/a><\/strong><\/p>\n Current release<\/a>\u00a0A Kiss From Mr Fitzgerald<\/a><\/em><\/strong><\/p>\n “For me, because I have such a good relationship with my publisher and because I really value her feedback, I send it to her when I\u2019m ready for that feedback.\u00a0<\/span><\/p>\n “I have a particular redrafting process I go through, which usually means I do four drafts and then a tidy-up, and at that point I mostly feel ready for another set of eyes. Before that it\u2019s too early; I\u2019m usually still unfolding the plot and the story and developing the characters more fully and so I would be wasting her feedback on those elements if I sent it off before I\u2019d done those sets of drafts. <\/span><\/p>\n “I really want her feedback about\u00a0the way a reader would respond to the story, characters, and plot I\u2019ve created, so I need to have these elements in place before I send it. So I don\u2019t wait until it’s perfect; I send it to her when I have questions that I\u2019d like her input on, such as\u2014is the reveal of the secret too slow, too fast, too difficult to understand etc.\u00a0<\/span><\/p>\n “It\u2019s a bit different [now] to when I was pitching A Kiss from Mr Fitzgerald<\/em>, which I worked on until I felt I could do no more with it\u2014once again though, I knew it wasn\u2019t perfect; it was just the best I could do at that time.”<\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n Nova Weetman, children’s\/YA author<\/span><\/strong><\/a><\/p>\n C<\/a>urrent releases The Secrets We Keep<\/em> and Everything Is Changed<\/em><\/a><\/span><\/strong><\/p>\n “I don’t always know when my writing is good enough to send off. Sometimes I send it off before it’s ready. But usually I send it when I feel excited by it. <\/span>Even if its not perfect, it still has something in it that’s working. Some spark. <\/span><\/p>\n “And I’ve usually done a few drafts before I find that.”<\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n Alan Baxter, award-winning author of dark fantasy, horror and sci-fi<\/strong><\/a><\/p>\n Current release,\u00a0<\/a>the Alex Caine<\/em> series\u00a0<\/a><\/strong><\/p>\n “Short answer, you don’t and have to take a shot at some point and hope for good editors.\u00a0<\/span><\/p>\n “But time is important. Always put something aside, then look again with fresh eyes some days or weeks later and redraft. When it’s as good as you think you can make it, have some trusted beta reader friends go over it. And in truth, the more you do, the better you get at judging. <\/span><\/p>\n “But everyone always<\/em> needs an editor.”\u00a0<\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n Anna Spargo-Ryan, debut author of The Paper House<\/em><\/strong><\/a><\/p>\n “I send it to a trusted writer friend, and if she likes it, I know I’m on to something.”<\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n Ellie Marney, YA author <\/strong><\/a><\/p>\n Current release<\/a>\u00a0the award-winning Every<\/em> YA series<\/a><\/strong><\/p>\n “My answer is: when it feels ‘good’ or ‘complete’. It’s a bit ephemeral. I don’t try to compare it to another admired author’s work, but I try to take a step back from it and read it objectively. That often means putting it in a drawer for a while (as long as possible). <\/span><\/p>\n “I think everyone has their own understanding of what’s good writing and what they admire. I just aim for that – and occasionally I get there.<\/span><\/p>\n “It doesn’t always work. Sometimes it doesn’t feel good to me, but my publisher likes it. Or vice versa (which is worse).”<\/span><\/p>\n <\/span><\/p>\n \u00a0<\/span><\/p>\n Belinda Murrell, bestselling internationally-published author of children’s fiction, <\/strong><\/a><\/p>\n L<\/a>atest release The Lost Sapphire<\/em><\/a><\/strong><\/p>\n “I am never sure that it’ s good enough which is why I love deadlines because\u00a0<\/span>at that point I just have to send it off!! I sent my new book to my\u00a0<\/span>publisher last week, and the days that I had to wait for her to read it and\u00a0<\/span>give me her feedback were like torture. It\u00a0was such a relief when she rang to\u00a0<\/span>say she loved it! <\/span><\/p>\n “Reading aloud helps me to hear\u00a0how [a manuscript]\u00a0sounds. When I\u00a0<\/span>feel it’ s just about ready I give it to my two trusted readers – my husband\u00a0<\/span>and my daughter to see what they think (not that they’ve ever said they\u00a0<\/span>hated anything!). <\/span><\/p>\n “Most of all, though, I trust my publisher, Zoe Walton at Random\u00a0<\/span>House to tell me if she thinks anything is not working.”<\/span><\/p>\n \n <\/p>\n \u00a0<\/strong>Or check out So You Want To Be A Writer<\/em> (the book), where my co-author Valerie Khoo and I have distilled the best tips from hundreds of author and industry expert interviews. <\/strong>Find out more and buy it here<\/strong><\/a>. <\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" How do you know when your writing is good enough? This is a question that’s come up a few times of late, via social media, via email, via my Skype coaching sessions. And it’s a big question, particularly when you’re a new writer, wrestling with self-doubt and a headful of words. It’s not an easy […]<\/p>\n","protected":false},"author":2,"featured_media":5629,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":" How do you know when what you're writing is good - or at least 'good enough' to send to your agent\/publisher?<\/b><\/span><\/p>\r\n Rachael Johns, award-winning international bestselling author<\/a><\/strong><\/p>\r\n New novel The Art Of Keeping Secrets<\/em>, out now\u00a0<\/strong><\/a><\/p>\r\n \"This is actually something I struggle with a lot - mostly because I honestly NEVER think my writing is any good. I\u2019m one of those writers who doesn\u2019t love writing but ADORES having written. I always feel like a fluke and that my writing isn\u2019t good enough, so I usually end up sending it before I think it\u2019s ready. <\/span>However, I believe the important things are the characters and the core story - if I think these two things are working, then all the little things can be fixed at the next edit stage with my publisher. <\/span><\/p>\r\n \"So what I look at before I submit a book is whether a) the characters have a strong journey\/arc - that they have changed and learnt something over the course of the book and b) that the plot makes sense and is believable. <\/span><\/p>\r\n \"Sure, readers sometimes need to be able to suspend disbelief a little bit when reading but as I write contemporary fiction about ordinary people facing dilemmas, I want their lives to be intriguing and interesting but also possible<\/em>. <\/span><\/p>\r\n \"Having said that, I\u2019m not suggesting you don\u2019t do a bit of a copy edit before sending. I always print my book out and edit it on paper, specifically looking for repetition of gestures\/emotional response, ways to tighten the writing and ensuring the\u00a0dialogue sounds realistic. <\/span><\/p>\r\n \"Then I hit send and try and forget about that manuscript until I hear from my publisher with their response.\"<\/span><\/p>\r\n Damon Young, author of non-fiction, children's fiction and poetry<\/a><\/strong><\/p>\r\n Current releases The Art Of Reading<\/em> and My Sister Is A Superhero<\/em><\/strong><\/a><\/p>\r\n \"My moment of readiness is a bizarre double vision. On the one hand, my squinting doubt goes away: I can read without furrows or \"hmmm\" or \"ugh\". It feels like me, right? <\/span><\/p>\r\n \"On the other hand, it's no longer me at all. The words suddenly feel alien: like someone else wrote them. So the voice is mine; the ideas, rhythms, sensibilities. But the writing now has its own distinctive character: it is a work. <\/i><\/span><\/p>\r\n \"To put it simply: I know the work is done when it stops prompting unease, and gains its own independence from me.\"<\/span><\/p>\r\n Natasha Lester, <\/a>b<\/a><\/strong>estselling author<\/a><\/strong><\/p>\r\n Current release<\/a>\u00a0A Kiss From Mr Fitzgerald<\/a><\/em><\/strong><\/p>\r\n \"For me, because I have such a good relationship with my publisher and because I really value her feedback, I send it to her when I\u2019m ready for that feedback.\u00a0<\/span><\/p>\r\n \"I have a particular redrafting process I go through, which usually means I do four drafts and then a tidy-up, and at that point I mostly feel ready for another set of eyes. Before that it\u2019s too early; I\u2019m usually still unfolding the plot and the story and developing the characters more fully and so I would be wasting her feedback on those elements if I sent it off before I\u2019d done those sets of drafts. <\/span><\/p>\r\n \"I really want her feedback about\u00a0the way a reader would respond to the story, characters, and plot I\u2019ve created, so I need to have these elements in place before I send it. So I don\u2019t wait until it's perfect; I send it to her when I have questions that I\u2019d like her input on, such as\u2014is the reveal of the secret too slow, too fast, too difficult to understand etc.\u00a0<\/span><\/p>\r\n \"It\u2019s a bit different [now] to when I was pitching A Kiss from Mr Fitzgerald<\/em>, which I worked on until I felt I could do no more with it\u2014once again though, I knew it wasn\u2019t perfect; it was just the best I could do at that time.\"<\/span><\/p>\r\n Nova Weetman, children's\/YA author<\/span><\/strong><\/a><\/p>\r\n C<\/a>urrent releases The Secrets We Keep<\/em> and Everything Is Changed<\/em><\/a><\/span><\/strong><\/p>\r\n \"I don't always know when my writing is good enough to send off. Sometimes I send it off before it's ready. But usually I send it when I feel excited by it. <\/span>Even if its not perfect, it still has something in it that's working. Some spark. <\/span><\/p>\r\n \"And I've usually done a few drafts before I find that.\"<\/span><\/p>\r\n Alan Baxter, award-winning author of dark fantasy, horror and sci-fi<\/strong><\/a><\/p>\r\n Current release,\u00a0<\/a>the Alex Caine<\/em> series\u00a0<\/a><\/strong><\/p>\r\n \"Short answer, you don't and have to take a shot at some point and hope for good editors.\u00a0<\/span><\/p>\r\n \"But time is important. Always put something aside, then look again with fresh eyes some days or weeks later and redraft. When it's as good as you think you can make it, have some trusted beta reader friends go over it. And in truth, the more you do, the better you get at judging. <\/span><\/p>\r\n \"But everyone always<\/em> needs an editor.\"\u00a0<\/span><\/p>\r\n![\"\"](\"https:\/\/allisontait.com\/wp-content\/uploads\/2019\/07\/FullSizeRender2-150x150.jpg\")
<\/a>Are you new here? Welcome to my blog! I\u2019m Allison Tait and you can find out <\/strong>more about me here<\/strong><\/a> and more about my <\/strong>online writing courses here<\/strong><\/a>.<\/strong><\/p>\nHow do you know when your writing is good enough?\r\n\r\nThis is a question that's come up a few times of late, via social media, via email, via my Skype coaching sessions. And it's a big question, particularly when you're a new writer, wrestling with self-doubt and a headful of words.\r\n\r\nIt's not an easy question to answer. As someone who's been a writer, in one form or another, for my whole working life, it was a question that was often answered for me by other people. By an editor throwing a story back at me, covered in red pen. By a first reader in a writing group, making 'suggestions'. But, at some point, you begin to find your own way, using past experience to feel your way through your current project, and you just know<\/em>.\r\n\r\nOr something.\r\n\r\nRealising that this may not be helpful, I've brought in reinforcements, asking nine\u00a0Australian authors to share their own answers to this very perplexing question.\r\n